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Ballet Luminary Matthew Ball on Grueling Parts and Online Attention: 'I'm Not Protective About My Body'

Within the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his limbs defined beneath a simple tee. During performances, dancers can seem like mighty gods, yet frequently in person they are small. This is not true for Ball, whose height is one reason for his demand for heroic characters and pas de deux work. Possessing fine traits and intense eyes, there's a hint of a brooding actor about him.

An Apparent Ascent to the Top

At 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was promoted annually, reaching the top rank of principal in 2018. He has loved tackling substantial characters, especially the emotional turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured appearance is as himself, in an "Evening With" series aiming to offer intimate insights into a dancer's art. He will walk the crowd through a part, demonstrating his cognitive workflow during execution. Yet in more comedic works, the test is profound. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Mental Game and After the Show Emotions

How does he feel following a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. Following an intense role I'm always like: God, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once remarked on a "sense of suffering in him." Does this exist? "I am very energetic in general, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Artistic Inspirations

Ball's tenacity originated in youthful setbacks. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from books, music, and art.

Close-Up Performance and Private Partnership

He also is interested in staging dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They are not typically matched on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On social media, fans can see videos from his dance films and images that showcase a athletic physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple ways.

Ball describes his early self as "desperate for success." Did it lived up to his hopes? "I feel very aware of how life is a different reality to the aspirations you made as a young person," he reflects. He likely has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

Written by

Emily Roberts

A seasoned gaming journalist with over a decade of experience covering the UK casino scene and slot innovations.

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